Grow Fins

Not sure why this album is unavailable commercially anymore but it’s a great album! That gravelly, despairing voice singing about busted times is a great listen. It’s hard to define this music – it should be country but it sounds something more akin to Johnny Cash or Kris Kristofferson in that way that even though those artists generally get classified under Country yet transcend that genre. Perhaps it’s a hybrid of country, folk and ’70s AM radio pop. Well, maybe it’s just lonesome cowboy music. Whatever it is… Enjoy

Second full length expands on her style with the addition of hamonies and multi-instrumental accompaniment. Songs are beautiful but more conventional in sound than Pirates Gospel. Still this is a fine recording showcasing an undeniable talent. Meandering melodies encase smooth throaty lyrics and vocalising that at times borders on yodeling but to superb and soulful effect. If you liked Pirates Gospel, you will very likely enjoy To Be Still. I am a big fan of Alela Diane. Though some songs were better than others, Pirates Gospel was unique, fresh and interesting and evoked traditional folk sensibilities. At least three tracks were so outstanding that the mediocrity of the remainder of the album was totally forgiveable. To Be Still has a more country feel to the songs. There are more harmonies which accent the renditions wonderfully and there is a higher proportion of good songs compared with Pirates Gospel.

Sample or buy Pirates Gospel here. Standout tracks are Tired Feet and Pirates Gospel. Rifle, Foreign Tongue and Can You Blame the Sky are also excellent.